This week, about 470 members of the Association of Moving Image Archivists gathered in St. Louis to discuss the fine points of preservation and archiving at their annual conference. The group is an esoteric lot, from do-it-yourselfers to executives with major entertainment companies. But they have a common goal — to take vast amounts of filmic flotsam, the stuff that most of us take for granted or forget about, and save it from oblivion.
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