2009 AVANT-GARDE MASTERS GRANTS
ANNOUNCED BY THE NFPF AND THE FILM FOUNDATION
Mark Rappaport’s Local Color Among Six Films
Receiving Preservation Funds
San Francisco, CA (April 23, 2009)—Mark Rappaport’s Local Color
(1977), a deadpan melodrama about hopelessly interconnected lives, and
five other landmark experimental films will soon be saved thanks to
Avant-Garde Masters Grants from the National Film Preservation
Foundation and The Film Foundation. Recipients of the $50,000 award
are George Eastman House, Anthology Film Archives, Center for Visual
Music, and the Harry Ransom Center of the University of Texas at
Austin.
Heralded by film critic Roger Ebert as a “strange and wonderful
movie,” Local Color spins a mordant tale about eight individuals
trapped in a web of intertangled relationships and dreams. As
complications beget complications, the line between “real” and
“surreal” grows increasingly hard to draw. George Eastman House will
collaborate with the filmmaker to preserve the 16mm feature from the
original source materials..
Also selected for preservation are three surrealist shorts by San
Francisco artist Sidney Peterson (Anthology Film Archives); Norman
Mailer’s first film, an untitled profile of a desperate woman
considering an illegal abortion (University of Texas at Austin); and
an early multi-projector piece by experimental animator Oskar
Fischinger (Center for Visual Music).
The Avant-Garde Masters Grants are the first awards targeting the
preservation of American experimental film. Funded by The Film
Foundation and managed by the National Film Preservation Foundation,
the program encourages archives to work directly with filmmakers to
save works significant to the development of the avant-garde in
America. Since 2003, the annual grants have preserved films by Kenneth
Anger, Samuel Beckett, Rudy Burckhardt, Abigail Child, Tom Chomont,
Bruce Conner, Hollis Frampton, Ernie Gehr, Larry Gottheim, George and
Mike Kuchar, Gregory Markopoulos, Jonas Mekas, Tom Palazzolo, Larry
Rivers, Carolee Schneemann, Frank Stauffacher, Andy Warhol, and
Lawrence Weiner. The full roster of projects is posted on the NFPF Web
site,
www.filmpreservation.org.
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